‘Grey’s Anatomy’ star Ellen Pompeo received warning about massive $20M TV salary

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Ellen Pompeo starred as Meredith Grey in ‘Grey’s Anatomy’ from 2005 until 2023

Ellen Pompeo received a warning about possible reactions before her $20 million “Grey’s Anatomy” salary became public in 2018.

“My manager at the time said something to me that literally hit me like a brick,” Pompeo recalled during an appearance on “Call Her Daddy.” “He was like, ‘Are you ready to be unpopular?’

“I was like, ‘What do you mean?’ And he was like, ‘Well, I just don’t want you to think that everyone’s going to go in and cheer for you and clap for you and bow to you and think you’re the dopest thing ever, because there’s going to be a lot of people who are not happy for you.’ And that had never occurred to me.”

Pompeo noted it can be “hard for people to celebrate other people,” especially when that person has “something that resembles something that they want.”

Ellen Pompeo as Meredith Grey in Grey's Anatomy

Pompeo’s $20 million salary was shared with the world in 2018. At the time, it was reported she would receive $575,000 per episode, a seven-figure signing bonus and more. She had been the lead character of ABC’s “Grey’s Anatomy” since the show’s inception in 2005.

“Call Her Daddy” host Alexandra Cooper noted men don’t “experience this level of scrutiny” over money.

“It’s a lot, and it’s patriarchy, and it’s misogyny and that’s what it is,” Pompeo responded. “Sports players are celebrated for their contracts. Crazy contracts. Not saying they’re not worth it, but I mean, it’s OK for them to celebrate it.”

Ellen Pompeo wearing a low cut black dress

To combat the negativity, Pompeo just focuses on the work.

“I think what helps me is … to take myself out of it and stop thinking about myself and what people think of me and just focus on what I do best, which is the work,” she said.

“When you make a lot of money as a woman, let’s face it, you have power, right? So then how can I take that power and do good with it? How can I amplify someone else? How can I help someone else? How can I lift up someone else who doesn’t sit in the position of privilege that I sit in? F— what people think of me. Who cares? You can’t control that. What you can do is use your power for good.”

The original "Grey's Anatomy" cast from 2005

Isaiah Washington as Dr. Preston Burke, Ellen Pompeo as Meredith Grey, Patrick Dempsey as Dr. Derek Shepherd, Kate Walsh as Dr. Addison Shepherd, T.R. Knight as ‘George O’Malley, Justin Chambers as Alex Karev, Chandra Wilson as ‘Miranda Bailey, James Pickens Jr. as Dr. Richard Webber, Sandra Oh as “Cristina Yang” and Katherine Heigl as Isobel “Izzie’”Stevens star on “Grey’s Anatomy.” (Frank Ockenfels/Disney General Entertainment Content via Getty Images)

The actress explained it wasn’t necessarily what people were saying about her contract, but what they weren’t saying after the salary reveal.

“I was ready for it because he made that comment to me, so what I saw was people who didn’t say anything,” the actress noted. “I got emails from all these people. I’m not going to name drop. I got a lot of emails that day when that story came out from amazing people. People who you’re like, ‘How’d you get my email?’ congratulating me. But then the ones who were quiet, who don’t say anything. And you see it, and you’re like, ‘OK.’

“But I don’t know what to say,” she added. “Don’t hate the player, hate the game.”

The 55-year-old actress negotiated the stunning contract after seeing the numbers for herself.

Ellen Pompeo in a maroon sweater dressed as Meredith Grey of "Grey's Anatomy"

Pompeo noted she knew “exactly how much” the medical drama was making for ABC and specifically how much her character contributed to the success of “Grey’s Anatomy.”

“It’s my face, it’s my voice. I’ve done so much work promoting the show all over the world for the past 20 years,” she explained. “I am the Disney princess of that franchise, so I have the data to back up. I know the show has generated this much money. I definitely deserve a percentage of that.”

Pompeo’s fight for her massive salary came after she received less money than Patrick Dempsey for the pilot episode despite Meredith Grey being the main character of the show.

Patrick Dempsey and Ellen Pompeo in Greys anatomy

“To be completely fair, the television game was so different then,” Pompeo said. “He had done 13 pilots before me. Nothing personal to him, just in general, only a man can have 13 failed TV pilots and their quote keeps going up, right? But, in all fairness, his quote was what it was.

“He was a bigger star than I was at that point,” she conceded. “No one knew who I was. Everybody knew who he was, so he did deserve that money. I’m not saying he didn’t deserve that money. It’s just, being that I was the namesake of the show, I deserved the same and that was harder to get.

“I wasn’t salty about him getting what he got. I was salty that they didn’t value me as much as they valued him, and they never will.”

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Bakery Worker Spots 4 Abandoned Children Outside His Shop – What He DiscoaBakery Worker Spots 4 Abandoned Children Outside His Shop – What He Discovers Up Close Leaves Him Stunnedvers Up Close Leaves Him Stunned The morning started like any other in Burlington, Vermont. The January frost clung stubbornly to the sidewalks, the air carrying the sharp bite of winter. Michael Reed, a dedicated baker and owner of a small shop called Dulce Esperanza, unlocked his door at dawn, ready to prepare trays of bread that would fill the air with warmth and comfort. But on this particular morning, Michael’s routine collided with fate. At the threshold of his bakery sat a crumpled cardboard box. And inside it—huddled, shivering, and red-cheeked from the cold—were four abandoned children. The Shocking Discovery Michael’s breath caught as he knelt. The eldest, a girl of about ten, clutched a toddler against her chest. Two boys, both younger, pressed into her sides for warmth. Their clothes were far too thin for the bitter winter. The girl’s eyes lifted, wide with fear. “Please,” she whispered, “don’t send us away.” At that moment, Michael didn’t think twice. He opened his door wide. “No, sweetheart. You’re safe here. Come in.” Inside the bakery, the children were wrapped in blankets, warmed with mugs of milk, and given pastries fresh from the oven. But as Michael studied their tattered clothes, he noticed something unsettling—strange stitched symbols on their sleeves, triangular shapes with cryptic letters. When he asked, the girl stiffened. “Don’t touch it,” she warned. “They’ll come.” Her words haunted him. Who were “they”? Why were abandoned children marked like this? Calling for Help Michael’s first thought was to call child services, but the sheer terror in the girl’s eyes stopped him. He knew the system might provide food and shelter, but what these children feared went beyond ordinary abandonment. By midmorning, customers were already eyeing the children curiously. Uneasy, Michael stepped outside and pulled out his phone. There was only one person he trusted with something this delicate: Isabelle Carter, a police officer—and his childhood friend. When Isabelle arrived, her gaze went straight to the stitched markings. Her expression hardened. “Michael,” she said, lowering her voice, “this isn’t random. I’ve seen those symbols before. They’re linked to trafficking networks.” Michael’s stomach sank. These weren’t just abandoned children—they were victims of something far darker. Danger Enters the Bakery The bell above the bakery door chimed. A man in a dark coat stepped in, pretending to browse the shelves. But his eyes locked immediately on the children. Lucy, the eldest, clutched her siblings tighter. The man, who introduced himself as James, ordered coffee he never touched. His gaze never strayed from the children’s corner. When he finally left, Isabelle leaned in, whispering urgently: “That man isn’t a customer. I’ve seen him during investigations. He’s connected to these rings.” From that moment, Michael’s bakery became something else—not just a safe haven but a battleground. Turning a Bakery into a Fortress That night, Michael locked the doors early, pulling shades over the windows. He called his best friend, Thomas, a delivery driver known for his no-nonsense toughness. “You can’t take these guys on,” Thomas warned. “But you can’t hand the kids back, either. We’ll watch the place together.” They began shifts, keeping the bakery under guard day and night. The children slowly began to open up. Lucy revealed they had been taken from different towns and kept in a warehouse. The marks on their clothes were identifiers, brands that traffickers used to claim “ownership.” She spoke of other kids still trapped there, her voice trembling. Michael’s heart ached. These weren’t just abandoned children—they were survivors. And they needed more than bread and warmth; they needed justice. Escalation James returned. Sometimes alone, sometimes with men waiting outside on the street. One evening, he leaned close to Michael, voice cold: “These kids don’t belong to you. Mind your business, or someone gets hurt.” But Michael was stubborn. He wasn’t giving up. Days turned into a blur of tension. Every creak of the door sent adrenaline surging. Yet inside the bakery, amidst the fear, moments of humanity emerged. The boys began laughing again. The toddler giggled when Michael dusted flour on his nose. Lucy helped roll dough, her small hands trying to mimic his movements. For the first time, they were children again—not property. The Breaking Point Two nights later, James returned with two men and tried to break in. Michael and Thomas fought desperately to hold the door while Isabelle rushed backup to the scene. Sirens finally sent the traffickers scattering, but the message was clear—they weren’t stopping. That night, Lucy made a decision. Sitting at the bakery table, her voice shaking but resolute, she told Isabelle about the warehouse near the river. The place she and the others had been kept. “Please,” she begged, “save the rest of them.” The Raid At dawn, police stormed the warehouse. The reports that followed were harrowing: cages, filthy mattresses, and terrified children—dozens of them. James and his men were caught trying to flee. The evidence was undeniable. For Michael, waiting back at the bakery with Lucy and her siblings, the hours felt endless. When Isabelle finally returned, her voice was firm but her eyes glistened. “We got them. The children are safe.” Michael nearly collapsed in relief. But Isabelle corrected him gently: “It wasn’t me. It was Lucy. Her courage gave us the key.” Aftermath The case dominated headlines. James and his accomplices were sentenced to decades in prison. The network unraveled, freeing children who might otherwise have disappeared forever. For Michael, the hardest part came afterward—saying goodbye. Lucy clung to him. “I don’t want to leave. You made me feel safe.” He hugged her tight. “You’ll always have a home here. Don’t forget that.” A week later, he received a letter in careful handwriting: “Thank you for saving us. I’ll come back one day, I promise.” A Bakery Transformed Standing inside Dulce Esperanza, Michael realized the bakery was no longer just a business. It had become a place of hope. A place where kindness defied cruelty, and where four abandoned children had found safety when they needed it most. Every time he looked at the corner where the box once sat, he remembered the truth he had lived: sometimes, doing the right thing means opening your door—even when danger waits outside. Conclusion: The Lesson of the Abandoned Children Stories like these remind us of something profound. It’s easy to think one person can’t make a difference. Michael was just a baker. Yet his decision to act—to welcome four abandoned children into his shop—helped dismantle a network of exploitation. Love and courage often start small, like warm bread shared on a cold morning. But they ripple outward, changing lives in ways no one could have predicted. And for Lucy and her siblings, what began in fear outside a bakery ended in freedom—because one man refused to close his door. This story draws inspiration from real-life people and events, but has been adapted with fictional elements for storytelling purposes. Names, characters, and specific details have been altered to respect individuals’ privacy and to enhance the narrative experience. Any similarities to actual persons, living or deceased, or real events are entirely coincidental and unintended. The author and publisher do not guarantee the factual accuracy of the events or character portrayals, and accept no responsibility for any misinterpretations. The content is presented “as is,” and all views expressed belong solely to the fictional characters, not the author or publisher.

Bakery Worker Spots 4 Abandoned Children Outside His Shop – What He Discovers Up Close Leaves Him Stunned The morning…

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